翻訳と辞書 Words near each other ・ History of social work ・ History of socialism ・ History of sociology ・ History of Sofia ・ History of software ・ History of software configuration management ・ History of software engineering ・ History of soil science ・ History of Solar System formation and evolution hypotheses ・ History of Solidarity ・ History of Solomon Islands ・ History of Somalia ・ History of Somalia (1991–2006) ・ History of Somaliland ・ History of Somerset ・ History of sonata form ・ History of Sonepur, Odisha ・ History of Song ・ History of Sonora ・ History of Sony ・ History of Soria ・ History of sound recording ・ History of South Africa ・ History of South Africa (1652–1815) ・ History of South Africa (1815–1910) ・ History of South Africa (1910–48) ・ History of South Africa (1994–present) ・ History of South African nationality ・ History of South African wine ・ History of South America Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク History of sonata form ： ウィキペディア英語版 History of sonata form Sonata form is one of the most influential ideas in the history of Western classical music. Since the establishment of the practice by composers like C.P.E. Bach, Haydn, Mozart, Beethoven, and Schubert and the codification of this practice into teaching and theory, the practice of writing works in sonata form has changed considerably. == Late Baroque era (ca 1710 – ca 1750) == Properly speaking, sonata form did not exist in the Baroque period; however, the forms which led to the standard definition did. In fact, there is a greater variety of harmonic patterns in Baroque works called ''sonatas'' than in the Classical period. The sonatas of Domenico Scarlatti provide examples of the range of relationships of theme and harmony possible in the 1730s and 1740s. Sonatas were at first written mainly for the violin. Over time, a formal type evolved, predominating until the late 18th century. This type reached its peak in the sonatas of Bach, Handel, and Tartini, who followed older Italian models and employed a type attributable to masters such as Corelli and Vivaldi (''Musical Form'', Leichtentritt, Hugo, p. 122). By the 1730s and 1740s, the direction of instrumental works, often considered less important than vocal music, tended towards an overall two-part layout: the binary form. But a section of contrasting material which served as a bridge between them also came to be included. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「History of sonata form」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.